Sunday, December 31, 2017

Blade Runner 2049 (2017) Review

SPOILERS
“Sometimes to love someone, you got to be a stranger.”
   If I had to pick my favorite film of all time I’d have to choose Blade Runner. It was ahead of its time and is probably the most influential film of all time. Before ‘Blade Runner’ almost all the sci-fi films were too bright and utopian like. The original Blade Runner is such a classic and over time has formed a huge fan base for the film. So many people worship the film, like myself, that they put it so high on a pedestal that it’s practically impossible to reach. When it was first announced that there would be a sequel many fans were both excited and skeptical. It was my most anticipated film of the year. All the trailers left me in awe. Then when I finally saw the film I was simply flabbergasted because I never thought I would say this, but it is the best sequel since “The Godfather: Part II”... correction it is the best sequel in film history. I will even go as far to say the best film of the 21st century.

   The film is about Officer K who is a replicant Blade Runner. So essentially he takes out older models of his kind. He discovers a replicant who has been buried for years and finds out that this replicant has given birth, which should be impossible. So he searches for the replicant child. Officer K discovers some things along the way like for instance the body he found was Rachael and the father of the child is Deckard. Now there will be major spoilers below.

   What I love to look for in films and literature is symbolism and philosophical ideas. It’s certainly everywhere in “Blade Runner 2049” from the eyes, water, memory, physical connection, and life. The film is very layered. Some viewers found the film too heavy to be enjoyable, but I didn’t. I loved every bit of it.

    So what is the meaning behind the eyes in the film? Many believe that the eyes are the gateway to the soul, if there is in fact a soul, but let’s say there is for the review. Being human means to have a soul. Both the original and 2049 bring up the subject what it means to be human. That means to be human one must have a soul, so our eyes are the windows to that soul. The film focuses on this ideology throughout. Officer K states, “To be born is to have a soul”. When Lieutenant Joshi tells K that essentially it doesn’t really matter that he doesn’t have a soul and he’s not really missing out on anything special. The focus on his eyes proves that he does in fact have a soul. The first image we see in the 2049 is that of an eye and it definitely sets the tone to the whole film. I will focus on a few characters where eyes play a big part on their development.


    In the beginning Officer K arrives at Morton’s protein farm. Morton is a Nexus-8, which is an older replicant model. They battle it out and Officer K ultimately wins. He scans Morton’s eye and a serial number is then provided. He rips Morton’s eye off completely and brings it back with him to the precinct. So basically when K scanned Morton’s eye he was judging his soul. Then when K took the eye with him it could symbolize the destruction of his soul, which brings us to Freysa. Throughout the film she has been spying on K during his search for the child. When she finally reveals herself to Officer K we discover her right eye is missing just like Morton after the fight. Freysa though removed her own eye, which in return removed the serial number also. Doing this would now make it challenging to verify she’s a replicant without violating her rights. She’s taken her own identity back by taking her eye out, but she’s so engrossed on this one singular vision of the cause she’s behind. She’s so blinded on pursuing this cause that she doesn’t really even consider on the individual.


   Joi is the love interest of Officer K in the film. She’s a hologram owned by K. Joi, like most of the characters in the film, is longing to find her humanity. She’s looked on as less than a replicant. She even merges with Mariette to make love with K. Her eyes make an interesting point in the film. When K sees an ad for Joi her eyes are completely black, which probably means she does not have a soul or a personality “yet”. The black eyes make her look like a product rather than a human. This dwells on the last thing Luv said about Joi that she is a product. When you buy Joi you can make her into anything you want her to be. It even said on the ad “everything you want to hear”, which is basically what she did with K. Telling him he was special leading him to believe he was the replicant child, but she does care for K greatly. She sacrifices herself to save him and the last words Joi tell K was “I love you.” She was the noblest character in the entire film. She gave herself completely, without hesitation and without conflict. Joi’s love helped K showing what sacrifice is, which ultimately helps save Deckard in the end.


   Luv works for the Wallace Corporation and is Wallace’s right hand. She’s his favorite replicant he’s created and often calls her his favorite angel. Luv does everything for him. He ordered her to keep a close watch on Officer K and help him find the child. We see Luv’s eyes up close when she is wearing glasses commanding drones to attack on the wasteland to help K out on his investigation. This scene is where she wants to outshine all the replicants and possibly even Wallace himself. She wants to impersonate her creator and she begins to copy him by having no empathy. When Luv destroys Joi she simply calls her a product to destroy Joi’s humanity that K felt she had. This can be compared to when Wallace says replicants are a disposal workforce. During Luv and K’s final confrontation she tells him, “I’m the better one”. She stabs K, which echoes how Wallace stabbed a newborn replicant who could not procreate. She proceeds to kiss K when she thought he was dying also echoing Wallace when he kissed his creation. She’s trying to be a god, but all she is in the end is just Wallace’s shadow.


    Niander Wallace is the founding CEO of a replicant manufacturing company. Wallace is blind, which is rather ironic because Tyrell, who created replicants before Wallace, had his eyes taken from him before a replicant murdered him. Wallace can’t see with eyes, but rather through drones that are connected to him through a chip in his neck. So he doesn’t view anything by his soul, but rather by technology. These drones can show him more than five things at once and this makes him more godlike than human or simply that he has lost his humanity. His name basically translates to “new man”, which is quite fitting since he is creating a new breed of man in order to be their god in a way. He even calls his creations his angels. It can also be said that Wallace is similar to Tiresias from Greek mythology. Tiresias became blind when Hera cursed him and Zeus compensated him by giving him the gift of foresight. Due to this gift by Zeus many did not like what Tiresias had told them even though what he told them was true. Like so many of us we have a difficult time to accept the truth. You can see the similarities between Wallace and Tiresias, when he interrogates Deckard. He is the antagonist of the film even though he would bring humanity further forward, but once again afraid of what the future may bring.


     In the Greek mythology Tiresias died after drinking water, which brings us to the second most symbolized thing in 2049. Water is everywhere in 2049 from rain, the reflecting water in the Wallace Corporation building, the massive water reservoir, and lastly snow. Just like in the original, LA is dark, gloomy, and rainy. The heavy rain represents the imperfect future where beautiful things continue to decay. Many consider rain to represent difficulties in life. This would explain many rain always poured hard when a character was going through conflict from within. Like when Freysa tells K that he isn’t Deckard’s child it’s raining. So he’s processing whether he should join the cause and do what she’s asked, which is kill Deckard because he knows too much, or try to go back to the way things were. Then its pouring when he sees the Joi ad and realizes what he must do.


    In the Wallace Corporation there is a lot of reflecting water in certain rooms. In Wallace’s personal room he has a little cement floor with a couch, table, chair, with a little walkway, and it’s all surrounded by still water. The reflection of the water surrounds all the walls. It’s both striking an unnerving in a way. Water has always been a powerful symbol for humans since it’s critical for life. It’s easy to say that this may symbolize the womb since this is where Wallace creates his replicants. When the viewer first sees a replicant born there is a ton of water shown on the replicant’s body and all over the floor.  


     The massive water reservoir is where Officer K decides to save Deckard and has a fight with Luv. The water is bursting everywhere with these strong, powerful, violent waves that are constantly hitting them. This could actually emphasize Luv, K, and Deckard as being unstoppable and impossible to contain. Freysa couldn’t stop Deckard. Wallace couldn’t contain Luv. She’s programmed to obey, but she doesn’t because she has a desire to become more godlike than Wallace. She has the desire to be better, which is probably why she screamed at K that she was better than him. Lieutenant Joshi also couldn’t contain K even though she thought she did. He was disobeying orders because of his desire to be loved, special, and needed. This self-belief overpowered his programming and helped him evolve. While they’re at the reservoir Luv believed she killed K, but K emerges from the water almost reborn. He kills Luv by drowning her and saves Deckard.

    Snow is a symbol of rebirth, purity, forgiveness, and transformation. It’s snowing where K brings Deckard to see his daughter. K lets the snow flurries fall on his hand, which I believe symbolizes K’s purity from his rebirth. K lies on the ground and embraces the snow falling on him. Earlier in the film, he appeared unsure about the snow, but eventually comes to accept it in the end much like his identity. He’s finally found meaning in his life. He finally achieves enlightenment. K knows that he will die, but he also knows his life has had purpose. He’s more human than a human. Deckard goes in to finally see his daughter, which will end in forgiveness.


    Earlier in the film, when Deckard is captured and is being interrogated by Wallace. The interrogation is going nowhere so Wallace brings a replicant lookalike of Rachael. Deckard tells him her eyes were green, but in the original they were actually brown. Originally I thought well maybe he’s simply rejecting the idea of another Rachel to protect their child. Then I thought could it be so simple that Deckard simply wanted to anger Wallace. As I continued to ponder this I realized that maybe Deckard merely remembered wrong. A big point of the film is how memories cloud our perception of certain events. In the original it reflected how attachment to memories makes one human. In 2049 it explores how memory constructs our personal narrative and how imperfect or clouded it can be. That memory can’t make one human and sometimes our memories are false. Officer K’s memory of the small wooden horse causes him to believe that he is the replicant child, which he’s not. Those memories were merely implants created by Dr. Ana Stelline. She explains to K that it’s against the law to plant human memories in replicants because of what happened with the older models during the Tyrell years. She goes on to say that artists always put a little bit of themselves in their work, which is true since K’s memories are hers. She placed bits of her memories in replicants to give them the capability to dream and eventually become free.


    Physical connection or the desire for touch is delicately inserted throughout 2049. Dr. Ana Stelline is locked in an isolation unit and is unable to touch the holograms from the memories she constructs for the replicants. Wallace must feel and touch all his creations due to his blindness of sorts. K tries to make the relationship with his holographic girl Joi more real by upgrading her so that she may come with him anywhere. He still can’t fully touch her like he could a human or replicant. Joi even reaches out to try to feel the rain, but it goes straight through her. Officer K lets some bees land on his hand, which I will get to later. Deckard tries to touch his child, but can’t due to her isolation unit. Even hologram Elvis sings “Can’t Help Falling in Love”, which has the line “take my hand” in it.


        Before Officer K finds Deckard in the hotel some bees land on his hand. This is important for two reasons. First it foreshadows that he is not Rachael and Deckard’s child. In the first film when Deckard interviews her, he asks, “You’re watching television. Suddenly you realize there’s a bee crawling on your arm,” and Rachael immediately responds with, “I’d kill it.” When K lets the bee fly away unharmed it foreshadows he’s not hers. The second reason why this scene is important is because this if the first living creature he’s seen that isn’t artificial besides humans. Bee’s are known for their pollination so when K first discovers Rachael’s body he finds a flower on her grave. Deckard got the flower from his bee yard and left that flower there. In the end, Officer K saves Deckard life and reunites him with his daughter. Disobeying all orders, receiving meaning, and possibly even attaining a soul.


     Denis Villeneuve has created such a masterpiece with Blade Runner 2049. Not many directors could accomplish this. Expanding more on the original material and loading the film with heavy ideas. It’s ambitious, hypnotic, fascinating, and such an experience. I kept going to the cinema to see it because I couldn’t get enough of this film. Ryan Gosling proves he’s one of the best actors in the business today. Harrison Ford gives one of his performances since “Witness”. The whole cast was phenomenal. Hans Zimmer and Benjamin Wallfisch’s involvement with the soundtrack was spectacular. One of my favorite scores I’ve heard in recent years. Roger Deakins’ best cinematography to date and that’s something since he’s the best at what he does. It’s a visual masterpiece. This is definitely a film you must see. I’m so glad this film exists. Who knows over time I may actually like this more than the original.

100 out of 5

Sunday, July 9, 2017

Spider-Man 3 (2007) Review

(Spoilers)
“I like being bad. It makes me happy.”
   After Spider-Man 2 people were excited to see what was next for Peter. The main question would be who he’d come up against this time. For the longest time it was speculated that it would be the lizard and man-wolf, which would lead up to the birth of the new green goblin that would be continued in Spider-Man 4. I too was excited for Spider-Man 3. When the teaser trailer first appeared on Yahoo and I became even more excited. Then it happened… I saw the movie. I walked out feeling robbed. The first film was really good and Spider-Man 2 was perfect in every way, but this film was complete and utter over-stuffed crap. The film has left a bad taste in my mouth ever since… much like “X-Men Origins: Wolverine” or any of the “Fantastic Four” films. 
   There are not many good things about this film and if there are it’s overshadowed by the bad…. and there is a lot of bad! There are ten things that made the film terrible that I’m going to focus on in this review: 1) Green Goblin storyline 2) The Mary Jane Dilemma 3) The Arrival of the symbiote 4) Emo Peter 5) The Sandman 6) The new Uncle Ben death scene 7) That’s Gwen Stacy? 8) That’s not Venom is it? 9) That many villains doesn’t make for a good film 10) Sony.
    The first two films are building up to Harry Osborn becoming the new green goblin. Taking over his father’s legacy, but instead we get “You killed my daddy prepare to die!” He didn’t plot his revenge well since he went down almost immediately. I was expecting much more of a fight to be honest. He survives the fight, but gets AMNESIA… oh how convenient to the storyline. Harry forgot everything till well he doesn’t. He tries to drive Peter and MJ apart then fights Peter again. Harry goes down easy once again and this time getting a grenade to the face. The butler decides to tell Harry after all this time that Norman died by his own hand. Something he could have told Harry before his face became disfigured. The butler could have resolved this issue at the end of the first Spider-Man film. So Harry becomes good again and decides to help Peter fight the bad guys because well the plot calls for it I guess. Cheesy right? It only gets worse from here.
   Then there’s the Mary Jane dilemma. MJ doesn’t have the best track record with her men. Her and Flash broke up and then started going out with Harry. She starts crushing on Peter hard while she’s still dating Harry. In the second film she’s engaged to a nice guy, but once again she’s longing for Peter. Breaks off the engagement on her wedding day to be with, you guessed it, Peter. Now she’s finally with Peter and she isn’t all that happy. MJ kisses Harry while still with Peter. Then she breaks up with Peter because she’s afraid Harry might kill Peter. Does she not remember the stronger and better villains Peter had fought in the previous films? Guess not. He saves her life and they’re back together again. The romance is “Attack of the Clones” bad. Also, she’s constantly angry with Peter. For example, MJ is cast in the main role of a Broadway musical. She’s fired after her first performance because the directors realized she couldn’t sing. You’d think after many rehearsals they would have known. She keeps this a secret from Peter and then gets furious with him when he doesn’t know she’s been let go. There are very poor communication skills between the two.
  The arrival of the symbiote always bugged the hell out of me. Peter should have heard the little meteorite crash with the symbiote in it. His spider-sense should have gone off the roof. Since well it did come from space at a moderately fast speed plus it’s dangerous. I would have thought the spider sense would have gone off, but I guess it’s all part of the “story”.
   The symbiote creates something Spider-Man 3 will always be remembered for and that’s emo Peter. Oh how I pray to the movie gods every night to help erase this from film history. The symbiote should have shown us the ruthless side of Peter. He’d become cruel, cold, and a detached version of himself; while at the same time becoming more obsessed with his newfound power that the symbiote gave him. That in itself should have been a standalone movie where he kills Harry with his symbiote powers, but instead we get emo Peter. It started off good with his “killing” of the Sandman. So the audience should start to be concerned for him… not laughing at his dancing and walking down the street. Peter did not become cool from it even though he thought he was. He simply looked like an emo that liked to dance and do a hair flip.
  Now onto the next villain of this lovely Spider-Man flick. Flint Marko is the Sandman. A man who’s trying to take care of his sick daughter, but somehow decides to team up with Venom for some reason. Even though he commits crimes we are supposed to side with sandman all because his daughter is sick. The viewer usually doesn’t side with him. How Flint becomes the Sandman is actually pretty funny. He’s running away from the cops, falls into a hole that is being used to run a test on sand, by scientists and their supermodel assistants, they think he’s a bird, and run the test anyways instead of checking it out. What comes next is probably my favorite scene. When he emerges from the sand he tries to grab a locket with a picture of his daughter (how the locket stayed in one piece beats me). It’s the only emotional scene in the film. The part that kills me about Sandman is that he flies above buildings in New York I had no idea sandman can fly.  Well I guess it is true what Anakin said that sand is coarse and rough and irritating and it gets everywhere.
   We’ve seen Uncle Ben get killed a lot in Spider-Man, but this version just is plain terrible. The death of Uncle Ben was already done perfectly in the first film. The murderer from the first film had an accomplice, Flint, who was the one that pulled the trigger by accident. I remember vividly people in the cinema yelling out, “come on!” or “that’s bullshit Raimi!” I have to agree though. The entire reason Peter is Spider-man is because he did not stop the thief who shot his uncle. So Peter isn’t fully responsible now for his uncle’s death. Definitely felt like a cheap blow.
  Gwen Stacy was Peter’s first love in the comics way before MJ. Gwen loved Peter, but not Spider-Man. MJ loves Spider-Man more than Peter. Gwen’s death in the comics helped the character development of MJ. Gwen was simply in the film to make MJ jealous. I found it an injustice to the character.
  Venom is also a well-known character also in the Spider-Man comic series and that’s why he was forced in the film. Okay so the film has Sandman, Green Goblin, and Venom. Eddie Brock sells fake Spider-Man photographs to the Daily Bugle and get’s busted by Peter. He’s fired for fraud. Eddie wants Peter dead and right when he’s wishing it he’s infected with the symbiote. Venom was definitely rushed since Eddie didn’t become Venom till the last thirty minutes of the film. Venom is supposed to be well built and has a long tongue that goes all over the place. What we get instead is a frail individual. Venom has a disturbing looking face, but it pulled back the entire time to show Eddie’s face. Venom isn’t supposed to be weak, but in this film he’s as weak as a butterfly with no wings.
   Too many villains congested the film way too much. Way too over-stuffed. There could have been a good tragic villain story with Sandman who only wanted to help his sick daughter. Raimi could have simply just made a film with symbiote Spider-Man and Harry’s Green Goblin. Instead we get this mess with all these villains with no character development at all. Raimi takes the blame for this mess, but it’s not all his fault, which brings me to the next complaint.
  Sony kept interfering with Spider-Man 3. Raimi wanted to do a Sandman and Green Goblin film. Sony was demanding on Venom being in the film. The reason for this is because the studio wanted more money because Venom had an enormous fan base. He was considered the best Spider-Man villain at the time. So Sony, Avi Arad to be specific, forced Venom into Spider-Man 3 for more money. Raimi didn’t like Venom and that’s why he made Venom’s screen time extremely short. So Raimi had to add the black suit Spider-Man and Venom. So that’s why the film felt hurried and unsatisfying because Sony’s meddling took time away from the rest of the film.
   Overall, Spider-Man 3 is just a bad film altogether from the acting, the writing, the meddling by Sony, the overcrowded villains, the soap opera drama, and the emo Peter. It definitely a major step down from its predecessor.

2.3 out of 5

Saturday, July 8, 2017

Spider-Man 2 (2004) Review

SPOILERS
“I believe there's a hero in all of us, that keeps us honest, gives us strength, makes us noble, and finally allows us to die with pride, even though sometimes we have to be steady, and give up the thing we want the most. Even our dreams.”
    Spider-Man 2 is the perfect superhero film and probably the best Marvel film period. To be honest I didn’t think that the sequel was going to surpass the original film. Boy was I wrong. To me this is the first film with an imperfect hero that has his problems just like everybody. He barely makes enough money to live on, he can’t be with the girl that he loves, his apartment complex is run down, his only friend despises him because of Spider-Man, and his aunt can’t live in her house any more due to financial difficulties. The only thing he has going for him is being Spider-Man and even he’s messing that up from all his exhaustion. So he decides it’s time to stop being Spider-Man and permanently be Peter Parker. There’s this touching scene when Peter tells Uncle Ben that he can no longer be Spider-Man. It’s a big deal for a superhero to put his wants and needs before the “greater good”. He no longer helps anyone like the person who was getting beat up in an alley; he simply turns the other way. Or when the cop cars fly past him with their sirens on, he simply bites into his hot dog. Simply put, Peter has become your average citizen.
    While Peter is having his crisis, we see the birth of a new villain. Doctor Octopus is one of the most complex antagonists in any Marvel film. He’s truly a sympathetic villain. Octavius had spent his entire life fantasizing about the creation of a fusion reactor, which would sustain enough energy to power entire cities just from one device. As Octavius says, “the power of the sun in the palm of my hand.” The fusion reactor malfunctions, he tries to correct the problem, but everything is going wrong and his wife ends up dying in the process. Dr. Ock’s mechanical arms start talking to him corrupting his mind. The AI that governs his mechanical arms pushes him to murder, robbery, and even kidnapping. During the final fight with Spider-Man his mechanical arms malfunction just enough for him to realize that sometimes we have to give up what we want the most. He reclaims control over his actions and sacrifices himself to save New York from his creation. Doctor Octavius demonstrated what Aunt May told Peter about there being a hero inside of everyone. Fighting Dr. Octopus reminded Peter that he couldn’t have the life he really wanted. That there will always be evil that only Spider-Man can defeat because with great power comes great responsibility.
   I remember after the first Spider-Man there were tons of rumors that there were going to be two villains in the sequel: Dr. Octopus and the Lizard. For the longest time the rumors were that Sam Neill and Bruce Campbell were in talks for the roles. Then it was announced that Dylan Baker would play the Lizard. I’m glad that only Doctor Octopus was the villain because it would have been too congested like the crapfest we call Spider-Man 3 and the Amazing Spider-Man 2. Well it was a half-truth about Dylan Baker since he did play Dr. Connors. After Spider-Man 2 the rumors were that Dr. Connors would become the Lizard and the John Jameson would become Man-Wolf. Sounds more interesting than the next installment.
   The characters are so well done and have so much depth in this film. The performances were spot on, especially on Alfred Molina’s portrayal of Dr. Octavius. Tobey Maguire has the same natural ability as he had in the first film. He really sold it as Peter having to make an enormous decision on how he wants to live his life. James Franco also gave a stellar performance as Harry, who is a young millionaire trying to cope with the death of his father. His father’s death continues to fill him with hate. He wants and needs to kill Spider-Man.
   The film blew me away when I first saw it in IMAX thirteen years ago and to this day it still blows me away. I believe it’s the first superhero film that really explored the human condition of the hero. The arc was very well done and has the best story out of the Spider-Man trilogy. Not to mention the action sequences were fantastic. The film even includes one of my favorite fights: the train fight between Doc Ock and Spider-Man. I highly recommend this film.


5 out of 5